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Kinstillatory Mappings in Light and Dark Matter

  • Abrons Arts Center 466 Grand Street New York, NY, 10002 United States (map)

A monthly fire-side gathering on the Lower East Side in the amphitheater at Abrons Arts Center. Hosted by Emily Johnson/Catalyst.

Sit by the fire and welcome the evening with neighbors, stories, and food (bring some to share). The January fire includes readings by Nicole Wallace, Demian DinéYazhi', and Karyn Recollet. Pumpkin soup and cornbread generously prepared by Anne Apparu.

Gather and welcome.

January 9, 7pm, 466 Grand Street, Lower East Side, Mannahatta, Lenapehoking

ABOUT THE PARTICIPANTS
Nicole Wallace
is the Managing Director of The Poetry Project and author of WAASAMOWIN (IMP, October 2019). She is originally from Gakaabikaang, located in what is currently called Minnesota, and is of settler/European ancestry and a descendent of the Fond du Lac Band of Lake Superior Chippewa (Ojibwe).

Demian DinéYazhi´ is a transdisciplinary Indigenous Diné Nádleehi´ artist, poet, and curator. In 2018 they self-published two books of poetry, ANCESTRAL MEMORY: poems 2009-2016, and AN INFECTED SUNSET. Demian’s stance as a self-publishing poet is a political statement of maintaining autonomy without the jurisdiction or approval from Western-trained editors, publishers, or critics. Demian also publishes zines and publications through R.I.S.E.: Radical Indigenous Survivance & Empowerment. Follow Demian: @heterogeneoushomosexual + @RISEindigenous

Anne Apparu is a cook, guerrilla gardener, community builder, home maker and is dedicated to building sustainable ways in her locality. Anne generously created the feast for 2019 First Nations Dialogues' Tëmikèkw, An honoring and welcome gathering.

Karyn Recollet is Associate Professor at the University of Toronto’s Women & Gender Studies Institute, and is a Cree woman originally from the Sturgeon Lake First Nation in Saskatchewan. Her research and writing explores Indigenous performance, hip-hop culture, and Indigenous hip hop feminism, with a particular focus on new Indigeneities produced in urban hub spaces as they shape solidarity movements and social activism. 

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ACKNOWLEDGEMENTS
Emily Johnson gratefully acknowledges Karyn Recollet's work and collaboration in the concepts of kinstillatory.


Kinstillatory Mappings in Light and Dark Matter was created with funding from The MAP Fund, supported by the Doris Duke Charitable Foundation and the Andrew W. Mellon Foundation. Emily Johnson/Catalyst gratefully acknowledges Amerinda and their fiscal sponsorship of this project.

photo by Rahim Fortune